Phan Thu Trang. Flower field.  Going home from the field. 100x120 cm
Phan Thu Trang. Flower field. 100x120 cm
Phan Thu Trang. Flower field. Blossom. 80x85 cm
Phan Thu Trang. Flower field. Coming home 80 x 85 cm
Phan Thu Trang. Flower field. Going to flower market 100 x 120
Phan Thu Trang. Flower field. The Banian tree in front of my home.80x85 cm
Phan Thu Trang. Flower field. The banyan tree.100x120 cm
Phan Thu Trang. Flower field. The way to the field. 100x120 cm
Phan Thu Trang. Flower field. Village road. 80x85 cm
Phan Thu Trang_Coming home 2_80x85 cm
Phan Thu Trang_Flower season_100x120 cm
Phan Thu Trang_Peaceful area 2_80x85 cm
Phan Thu Trang_Peaceful area_80x85 cm
Phan Thu Trang_Spring field 2_100x120 cm
Phan Thu Trang_Spring field 3_100x120 cm
Phan Thu Trang_Spring field_100x120 cm
Phan Thu Trang_Summer time_80x85 cm

Phan Thu Trang

Landscape painting is both a fascinating and absorbing subject to many artists wanting to explore the genre in their art. The development of other forms of landscape – seascapes,cityscapes pt townscapes – has produced innumerable styles and techniques.

For those who love the radiance and freshness of Vietnam and its landscapes, the work of Phan Thu Trang will correspondingly please.

Trang’s naive, decorative works are characteristically Vietnamese. Making the genre of landscape her own, Trang simplifies individual elements to their bare essentials. With a limited palette, the artist employs texture to define her subjects. Smooth areas of bright monotone contrast with the lush, painterly impasto used to define tree leaves. A vibrant vaulted canopy of trees dominates spindly trucks.

Her works establish a form of narrative with a solo female cyclist eternally pedaling. The viewer knows neither from whence she came, nor her destination. With conical hat and downcast face she seems focuses and determined; struggling and cycling against the odds. As if caught up in an internal race against time, the cyclist ventures on through works representing various daylight hours. Works in green and white are akin to mid morning light, while works in shades of yellow,oranges and red exude the searing heat of the mid-afternoon sun in Vietnam.

Born in Hanoi, like many other artists, Trang’s mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings.